Dr. Baidik Bhattacharya trained in English literary studies at Jawaharlal Nehru University (M.A. and M.Phil.) and Oxford University (D.Phil.). He taught in the English departments of Newcastle University (2006-10) and Delhi University (2010-2018) prior to joining the Centre for the Study of Developing Societies.
Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields – postcolonial studies and world literature. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012).
Professor Udaya Kumar is currently at the Centre for English Studies, Jawaharlal Nehru University, Delhi. He did his Masters from the University of Kerala, his M.Phil. from JNU, and D.Phil. in English Literature from St. John’s College, Oxford. His work has spanned from seminal contributions to Joyce studies to examination of the public sphere and, more recently, exploration of literature, history and autobiography in modern Kerala. His books include The Joycean Labyrinth: Repetition, Time and Tradition in Ulysses (Oxford, 1991) and Writing the First Person: Literature, History and Autobiography in Modern Kerala (Permanent Black, 2016). His current book project is titled History, Identity and Spatiality: New Idioms of Vernacular Social Thought in Early Twentieth Century Kerala.
V. Sanil is Professor of Philosophy at the Department of Humanities and Social Sciences, Indian Institute of Technology, New Delhi. Professor Sanil received a degree in Engineering and a postgraduate diploma in Journalism and then moved on to get a Ph.D. in Philosophy from the Indian Institute of Technology at Kanpur. He was a Charles Wallace Fellow at the Department of Philosophy, University of Liverpool, UK, and Directeur d’études Associés at Maison des sciences de l’homme, Paris. His research interests lie in Continental philosophy, including philosophical aesthetics and philosophy of technology. He works on art and technology in Classical India, Asian cinema and Indian theatre. Besides publishing in English, Professor Sanil writes in Malayalam on 19th- and 20th-century social movements and culture.
B.A. Honours English
|Mehvish Siddiqui||Hindu||Final||Zami: A Freudian Inquiry into the Subject, the Self and its Place|
|Sushrita Acharjee||DRC||Final||Queer Subjectivity, Uninterrupted: Rituparno Ghosh’s First Person and the Gender Sensitization of the Bengali Neo-Bhadralok Class|
|Iqra Raza||Stephen's||Previous||Countering the Post-9/11 Discourse of the Essentialised Muslim ‘other’ in The Silent Minaret|
|Poulami Nag||MH||Previous||Representation of Disability in Popular Culture|
|Ananta Ahuja||SGTB||Final||Image and Subjectivity in Samuel Beckett’s Krapp’s Last Tape|
|Siddhant Datta||Stephen's||Previous||Shame and Failure of Recognition in The Hungry Tide|
|Nikita Pinto||JMC||Final||Locating Female Subjectivity in Narratives of the Monstrous Murderess in Netflix’s Alias Grace|
|Tirna Sengupta||Gargi||Final||Interrogating the Canon: Dance, Power and Resistance in India|